As I’m waiting at the bus shelter, or near it, rather, since its benches are being taken up by a gray-skinned man and his bags of cans, I see a bus line I’ve never noticed before. 40 SWANN ISLAND, its scrolling sign reads, TO BASIN & FATHOM.
My bus, the less poetic 19 GLISAN, arrives shortly. After a few stops a short, squat woman haltingly steers her wheelchair on. She clutches a phone in her claw and haltingly pokes at the screen with one hooked finger. She says something but I can’t understand it. She says it again, more insistently, and her phone drops to the floor. I pick it up and try to hand it to her, but she can’t seem to grasp it. I’m surprised it’s not in a holder or on a lanyard or something. What would have happened if there had been no one around to pick it up for her? What is she doing out here on her own, anyways? I certainly understand wanting to be independent, but she seems barely able to function.
I finally manage to tuck her phone behind her wrist. She doesn’t make any more sounds for the rest of the trip.
When we cross the river, I see the 40 bus again, halfway on its journey to the docks and shipyards. Somehow we’ve caught up with it.
I’m nervous that I’ll have to face the receptionist I was impatient with last week, but there’s only one woman working the counter and it’s someone I’ve never seen before. There’s only one patient ahead of me in line but I wait fifteen minutes before it’s my turn. The moment I roll away a second receptionist appears and calls, “Next!”
Karen, with the wan, masklike face, calls me in. She measures the wound and says it’s both wider and deeper, which surprises me, because I hadn’t been on it as much. I show her the sore on my knee from the scooter as well, which has gone from being an angry red splotch to a furious wound.
Agnes steps in and says, “Oh that doesn’t look good. What the hell, Seann.” I don’t say anything. “I’m sorry, I shouldn’t just barge in and give you dirty looks,” she says. I tell her if she didn’t I’d be worried, but I can tell my tone doesn’t sound as playful as I intend, and she doesn’t laugh. The pit is opening up again, that old familiar void, and i don’t have the strength to fight it so I let myself sink into it, pulling it shut behind me. The room is a blur. I hear KC’s voice from the next room but I don’t feel any sort of thrill. I can barely move. I feel like a bug immobilized by a shrew’s venom.
Karen places numbing cream on my already-numb foot. I can’t bear to look directly at it. I never do, really, even when I’m washing or inspecting it or bandaging it. I peep, I squint, I steal glances, but I can’t bear to actually gaze at the damn thing. Red, ugly, and misshapen, it is a symbol of everything I hate about myself, a product of my own neglect, avoidance, and weakness.
When she leaves, the foot starts to grow until it fills the room, a fleshy blob consuming everything in its path, and since I can no longer avoid seeing it I squeeze my eyes tight as I feel it start to dissolve me.
“Stop,” I whimper, not sure how the doctor is going to react to this latest development.
Just then the curtain is thrown back and KC appears. She tactfully doesn’t mention anything about my gigantic foot, which is now taking up most of the room. I ask her what she’s been up to and she starts chattering on about a show called The Gilded Age, which she has just binge-watched. She pulls down her mask when she talks. She has a nice mouth, with straight teeth, and her hair looks especially red, but I don’t have any interest in small talk, and feel incapable of flirting, so I just listen.
And then she flits away and Taggert is there. No dancing this time, she plunges right in. She does not like what she sees. What’s that redness? What’s that swelling? And the wound on the knee. “You know what this means,” she says. I do know what it means. “You can’t walk and you can’t use the scooter. You still have that wheelchair, right?”
I’m not fully here, though. I suddenly realize that the pit of depression and the wound in my foot are both the same hole. That I am being sucked into myself, drowning in a sea of reeking discharge. My ears are clogged with it but I’m listening just enough to be able to respond to the doctor in a way that makes it seem like I am not, in fact, suffocating.
I’m so intent on doing this that it barely registers when Jenny comes in, followed by Sandy. I haven’t seen either of them since the strike, and while I feel a tiny pulse of warmth, I am too disconnected to be able to really talk coherently. I’m overwhelmed by all the forces swirling around me, Karen’s blank stare, Taggert’s babbling (“Everyone hates me because I always bring the bad news!” she barks), KC’s smile, the word LARGER scribbled next to my wound measurements on the whiteboard, and most of all that gigantic foot which still looms before me, emitting a harsh whistling shriek like a creature in a horror movie.
After begging me to come back to the hyperbaric chamber for another round of treatment, Jenny and Sandy leave and Taggert gets back on her wheelchair kick.
“I know it’s difficult to hear,” she says. “Your entire life will change. You might have to find an apartment that’s handicap accessible. I told you about my brother with MS right? We had to redo our entire house so he could get around. And then when we moved the house got snatched up right away by another family who needed something accessible. But you just can’t think of this foot as being for walking. I tell my patients I don’t even want them walking to the bathroom in the middle of the night. Get a bedpan, get a urinal. Everything will be different from now on.”
I guess I should appreciate that she is willing to talk straight with me, that she doesn’t sugarcoat the truth. Other doctors offer tepid reassurances and canned inspirational pablum. In general, I prefer Taggert’s bluntness, but right now it’s just pounding me deeper into the ground.
Of course sometimes I do wonder if she isn’t overreacting, if the situation might be less dire than she makes it out to be. But I’ve been coming here for two years now, and she has almost always been proven right.
And then, even though I don’t mean to, I find myself whining to her about how lonely I feel, how I despair of ever finding a partner, of how my isolation is literally killing me. It all spills out, and I hate myself for being so pathetic. Poor lonely Seann will never be in love, will never experience intimacy again. An entire population of children is being purposely starved to death and I’m sad because I can’t get laid.
“Maybe you need to expand your circles,” Taggert says. “Start trying to meet people with, you know, these kinds of issues.”
“I should try dating other cripples like me, you mean?” She shoots me a look and I instantly feel awful.
She finishes debriding my foot and takes a step back and says, “I don’t like how red this looks. Where did you measure the depth?” Karen tells her and Taggert asks, “Was there bone?” Karen says she didn’t think so but she opens a fresh cotton swab and pokes it into the oozing hole.
“I can’t tell,” she says. Taggert takes the swab from her and does some more poking.
“ Okay,” she says. I can see her thinking. “Okay. Let’s get you on an antibiotic just to be safe. You don’t have any allergies, right? And I want you to get an x-ray, if you’re okay with that. They’re open until six. Your insurance approved you for a cast but we can’t do one if the bone’s infected.” She leaves to call in the referral. “It’s down in the basement,” she says.
“Oh I know,” I say.
Ten minutes later I wheel past the reception booth for the x-ray department. There is a woman in the booth but there is also a sign that says to check in is at the next room over. The woman doesn’t look up so I obey the sign and go to the next room over and it suddenly comes back to me; this is the room I came to a year and a half ago, or was it longer? The most oppressive waiting room I’d ever been in, with very confusing signage as to how one signs in. There hadn’t been anyone here then and there isn’t anyone here now, although it is nowhere near six o’clock. The reception window is now covered with a metal drop-down gate.
I wheel back out to the booth. The young woman has her hair in a big bun on top of her head, and a lot of what I think at first are birthmarks but turn out to be piercings. I give her my name and she looks me up and tells me to go back into the deserted room and use the phone there to tell them I’m here. I go back and sure enough there is a black phone mounted to the wall. I can’t remember the last time I saw or used a phone like this. It wasn’t here during my last visit, which means that within the last year they went to the trouble of installing what looks to be a thirty-year-old landline here.
A poorly-worded sign next to it gives a number to call, and I press the light-up buttons and a woman picks up, sounding irritated. I tell her I’m there for an x-ray and she says I need to go to the plaza. I tell her the receptionist told me to call this number and she angrily says, “like I said. You need to go to the plaza. Tell her I told you that.” I hang up and go back to the woman with the bun.
“She said I need to go to the plaza,” I say. The plaza is the medical complex across the street. I’ve spent many, many hours and seen many doctors within its depressing corridors.
“No, this is the right place. Go call her back and tell her I said so,” she young woman says.
“You call her. I’m not talking to that bitch again,” I snarl. She looks taken aback. “I’ll go to the fucking Plaza,” I say, and wheel away before I say anything else I’ll regret. This is now two idiot receptionists I’ve snapped at within a week.
I head outside and across the street to the Plaza and down the hall into the imaging center. By some act of great mercy, the woman at the counter is nice, the tech comes to fetch me immediately, and the x-rays themselves only take a few minutes. It’s too little too late though. I feel broken. The only thoughts that seem to be able to survive in the toxic soup swirling in my head are I’m so tired, I can’t do this anymore, I want to die. Weak, pathetic thoughts from a hateful narcissist drowning in self pity, who, despite what well-intentioned friends keep insisting, does, in fact, deserve everything that is coming to him.
The next morning I get a call from Agnes as I’m scooting along to work. Instead of dragging out the wheelchair I’ve just put extra padding on the scooter. What does any of it matter, anyways.
“Sorry I know you probably don’t want to hear from me first thing in the morning,” she says. “But doc says your x-rays look normal so Briana is going to callyou later on to schedule your cast.”
“ Okay, thanks, that’s great,” I say. And it is; I had spent most of the night worrying about what another bone infection would mean. Another two months in the chamber, another round of sick leave, another battlewith the disability people. At this point it seems like it might be better to just chop it off.
As I roll up to the museum, I pass a guy I see at the bus stop nearly every day, hunched in his wheelchair, black raincoat draped across his shoulders. I say hello but he’s profoundly stoned, a leaf of scorched foil in his hand. I wonder how he thought his life would urn out, what he hoped for, what he dreamed of becoming. The foil slips from his fingers and flutters to the sidewalk and I swerve so I don’t crush it beneath my wheels, dragging my enormously swollen monster foot, now the size of an elephant, behind me. It will keep growing and growing until it is the size of a whale, and the gaping wound will open wide like a mouth and suck me in as once and for all I swallow myself whole.